Nicola Costantino (1964) was born in Rosario, Argentina, where she studied Fine Arts with a specialization in sculpture.

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Cochon sur canapé (1992), his first solo show, is considered a precursor of contemporary Latin American art. In 1994 he entered the Barracas workshop of Fundación Antorchas coordinated by Suárez and Benedit and moved to Buenos Aires, where he lives and works. In 1998 he represented Argentina at the Sao Paulo Biennial, and since then he has participated in numerous exhibitions in museums around the world, including Liverpool (1999), Tel Aviv (2002) and Zurich (2011). In 2000 he held a solo show at Deitch Projects (New York) and his Corset de peletería humana entered the MOMA collection. In 2004 he presented Animal Motion Planet, a series of orthopedic machines for unborn animals, and Savon de Corps, a work that had great repercussions in the press. The meeting with Gabriel Valansi in 2006 meant his entry into the world of photography, with more than 30 works in which his leading role is constant, embodying different personalities of art and photography. Her interest in video performance led her to create the work autoreferential Trailer (2010), her first cinematographic production, and to address a paradigmatic female historical figure such as Eva Perón en_cc781905 -5cde-3194-bb3b-136bad5cf58d_Rapsodia Inconclusa (55th Venice Biennale, 2013).